Since I was to be back in Peterborough this June, representing this much beloved queen, I needed a new frock. I have been their Katherine for the last 3 years or so ( more of that here), and my kit needed an upgrade. the upgrade had been planned from the last year or so anyway ( and fund were being assigned from the project over that year too) – but alas our garage fire changed the plans a bit. 18 metres of black silk velvet I had secured from the gown was damaged in the fire – bits were still usable but not good enough for the gown – but ok for a kirtle 🙂
Below find a short pictorial story of piecing the outfit together, as well as links to the providers – and since I am always asked how much the outfit would cost – I specified the cost of individual items as well – the raw materials and labour-)
1. Smock- in linen, hand stitched. Each piece was hemmed first , then the pieces were assembled using silk yarn and openwork seams shown in Patterns Of Fashion 4.
linen – 1.5m, Material cost – £30, labour – £100
Kirtle ( I already had a good silk petticoat, so could skip that step 🙂
fabrics – silk velvet ( 6m – around £120), silk satin – left over; buckram – 1m ( £10);silk taffeta for lining – 6m – £150 ( I used 2 different colours – making use of odds and pieces i had available),calico for intelining – 5m, £20 pearls and braid for decoration – £40; reed – £5
labour cost – £200
Gown:
fabrics – royal purple metallic damask , 10m – I was lucky to get it second hand, at £50 per metre – normally the price is about double, if not treble that ( Watts&co)
lining – silk taffeta 8m ( James Hare, @ £25 a metre) – I used 2 remnant lots, peacock blue and gold
purple silk taffeta for forebodice and binding – 1m – £25
calico for interlining – 6m – £25
rabbit pelt for the cuffs – £150
labour – £350

skirts pleated – in front knife pleats, at the back 8 large cartridge pleats. here ready to be attached to the bodice

the cartridge pleats are stuffed with long ‘sausages’ made out of the velvet remnants – here stitched at the top, read to be secured in place. they fill in the cartridge pleats nicely, giving a nice shape – and make sitting on harder surfaces pleasant – like carrying your own cushion with you!
3. forseleeves
fabric – gold metallic brocade ( 1m), silk taffeta lining – 1m, calico interlining, decoration – estimated – £60
labour – £80
girdle – brocade fabric, tassels from Gina Barret. material cost – £130, labour – £20
Partlet – linen, with blackwork worked by Embroidery Emporium – £150
cuffs – also blackwork by EE – £150
bonnet – made on the paste I have used before, with a silk velvet veil, and a variety of frontlets – I have made 2 frontlets for this gown, the gold brocade ( and left it unpinned, in the earlier style)l and one in 2 brocades, purple and gold, and pinned the lappets to the side of the bonnet – an early rendition of the gable hood.
material cost – £60,
labour – £100
shoes – by Pilgrim Shoes, slashed, with silk pulling outs – £70
hose/stockings – I had 2 pairs, one by Quartemasterie, one by Sally Pointer – approx £20
Jewellery;
a lovely Piece by Gemmeus £300,
other pearl necklaces and rings – £80
and the end product….

and the royal hubby – Ian from Black Knight Historical
and a funky one – look, am hovering! 🙂
the final costing…
smock – 130; kirtle – £550; gown £1200; sleeves – £160; girdle – £160; cuffs and partlet – £300; shoes – £70; bonnet – £160; bling – £380, hose – £20; brass pins for pinning things – £30
total – £3230… ouch…
Admittedly, I don’t charge myself labour – but obviously if I am working on my own stuff, i am not working on commissions that bring the revenue – so still counts as it creates a dent in my budget – making this outfit took about 10 days. The materials were collected and saved for over the last year – I am not a particularly wealthy person, so there is no way I would be able to afford such a frock all at once… I doubt I would be able to afford it now, if it weren’t a part of my job….
Needless to say, I do not plan another Tudor frock for myself in the next few years….. or a decade maybe…
photography of the finished product – Pitcheresque Imagery and John D.Grant. More photos of the even itself soon!