A long overdue post on a rather splendid ball we attended in London, in December.
The Buttercup Ball was organized by Stuart Marsden ( the dance master for our Victorian ball last year – and this year’s edition too!) and was held in a lovely location of Normansfield Theatre.
The theme was Gilbert and Sullivan – so a lot of suitably theatrical attires were in evidence, from very elaborate to very simple.
The night before a workshop was held where we practised our steps, and had the first glimpse of the location.
For this occasion I wore my 1883 grape dress – and let me tell you, it wasn’t an easy thing! Since we arrived late at the hotel, we had a very limited time to eat before the workshop. Pizza Hut time.. A mistake – especially if one has to wear a corset straight after. Here is my corset on just after the meal, and 10 minutes later photo:
Necessity is the mother of invention – and so I discovered it is much faster to button up your bodice using the button hook usually reserved for the boots!
Still, the energetic dancing dealt with the heavy feeling after the pizza swiftly, and the workshop went very well.
For the ball itself, I settled on a circa 1895 evening gown. I had been hoarding that particular silk for quite some time, and the pattern seemed just right. Plus, it looked simple.
Well, at least the skirt was – I used the Ripple skirt pattern I used for my wool skirt the year before , and it worked a treat.
construction techniques…

adding a tape to the hem to reinforce it.
The bodice looked simple – but it wasn’t. I paired the silk damask with a gray silk velvet, loosely basing the bodice on this existing gown from the MET
The front has a few layers that have to work together – but to cut a long story short, the bodice fastens in front with hooks and eyes, as well as a buckle. Am very pleased with the final result, although some bad language occurred while hand stitching the slippery velvet…
And so, the gown was all I wanted it to be – light, comfortable, and perfect to dance in. The skirts don’t have a train to tread and stumble over, the bodice is hugging closely but breathes well, and the big sleeves mean I have a full range of movement – ideal for dancing!
And dance we did – it was a super evening full of mirth and excellent music:-)
A few more photos from the event – no doubt you will recognize a few faces from our own ball 🙂
as you can see lots of fun was had….
And I was sorry to take off my 1895 finery – I even got to wear the winter coat i made the previous year:-)
Needless to say, I am insanely excited about our own Victorian ball this May – just a few weeks away. With a crinoline sub-theme, it will no doubt mean there will be some big skirts around! I will report on who wore what after the event…. 🙂
I can only say……….Oh MY!!!!!!!!!!!!!!!!!!!
On Wed, Apr 20, 2016 at 10:41 AM, A Damsel in This Dress wrote:
> A damsel in this dress posted: ” A long overdue post on a rather splendid > ball we attended in London, in December. The Buttercup Ball was organized > by Stuart Marsden ( the dance master for our Victorian ball last year – > and this year’s edition too!) and was held in a lovely ” >
Stunning!
WONDERFULL YOU ARE SO CLEVER AND LOCD LOVED THE LOCATION PERFECT
What a lovely gown! I love to read of your adventures & see what you’re doing.
I read you had experienced some marines on another of yr blogs, but I’m amazed you manage to take a breath, let alone listen to naysayers!
You’re doing an incredible job! Jennifer Hill
hello there -and thank you! I am however puzzled by your remark – i have no other blog save this one, and have not experienced any’marines’ or any problems whatsoever? could you please specify as to what you are referring to?
Every time I reread this blog post I enjoy it again.
I was wondering two things, Izabela: 1) what fabric did you use for underlining/flatlining the brocade, and 2) how many petticoats, made of what, did you wear?
I’m looking forward to my own first sashay into the world of Victorian balls, in my own 1890s dress, and I’m already enjoying the learning process!
Thanks,
Anna
thanks!
the lining used in the period were usually cotton, linen and silk. here i used cotton organdy for the skirt and cotton lawn for the bodice. 2 petticoats, one in cotton, one is silk, both with flounces alike this one http://www.priorattire.co.uk/ourshop/prod_4122324-Late-Victorian-petticoat-size-1012.html
These look absolutely stunning.
I’d be very grateful if you could answer a question I recently stumbled upon but couldn’t find any reliable answers/sources for: I recently read (yes – somewhere on the internet, of course) a piece on victorian etiquette where someone claimed a lady would only wear a ballgown once.
I made a 1880s (very basic) bustle dress for an event and I love to read blogs such as yours and the one of Jennifer Rosbrugh and I can’t even imagine the most wealthiest of ladys to be able to just replace such a garment after only one event.
Do you happen to know if this actually could be true?
Kindest Regards
Kalix
considering the fact that even wedding dresses were repeatedly worn after the occasion ( 2 years of wearing the Bridal satin as it was, then it was restyled), i find the suggestion of wearing an evening gown only on a single occassion highly unlikey, even by the most affluent ladies….
Thank you so much for your reply.
I didn’t know about the wedding dresses still being worn. That’s even more interesting.
Have a nice evening (or whatever time of the day you’re experiencing right now)
This is a beautiful dress. You did a great job making it. I would like to replicate the bodice. I am interested to know if you used a pattern to make it. Please send me any information that you can in regard to your design and pattern. I really appreciate all the hard work you put into this gown. Thank you, Millie
I drafted the pattern myslef – it is included in my upcoming book, The Victorian Dressmaker. see our website for details!