Since I was to be back in Peterborough this June, representing this much beloved queen, I needed a new frock. I have been their Katherine for the last 3 years or so ( more of that here), and my kit needed an upgrade. the upgrade had been planned from the last year or so anyway ( and fund were being assigned from the project over that year too) – but alas our garage fire changed the plans a bit. 18 metres of black silk velvet I had secured from the gown was damaged in the fire – bits were still usable but not good enough for the gown – but ok for a kirtle 🙂
Below find a short pictorial story of piecing the outfit together, as well as links to the providers – and since I am always asked how much the outfit would cost – I specified the cost of individual items as well – the raw materials and labour-)
1. Smock- in linen, hand stitched. Each piece was hemmed first , then the pieces were assembled using silk yarn and openwork seams shown in Patterns Of Fashion 4.
linen – 1.5m, Material cost – £30, labour – £100
Kirtle ( I already had a good silk petticoat, so could skip that step 🙂
fabrics – silk velvet ( 6m – around £120), silk satin – left over; buckram – 1m ( £10);silk taffeta for lining – 6m – £150 ( I used 2 different colours – making use of odds and pieces i had available),calico for intelining – 5m, £20 pearls and braid for decoration – £40; reed – £5
labour cost – £200
Gown:
fabrics – royal purple metallic damask , 10m – I was lucky to get it second hand, at £50 per metre – normally the price is about double, if not treble that ( Watts&co)
lining – silk taffeta 8m ( James Hare, @ £25 a metre) – I used 2 remnant lots, peacock blue and gold
purple silk taffeta for forebodice and binding – 1m – £25
calico for interlining – 6m – £25
rabbit pelt for the cuffs – £150
labour – £350

skirts pleated – in front knife pleats, at the back 8 large cartridge pleats. here ready to be attached to the bodice

the cartridge pleats are stuffed with long ‘sausages’ made out of the velvet remnants – here stitched at the top, read to be secured in place. they fill in the cartridge pleats nicely, giving a nice shape – and make sitting on harder surfaces pleasant – like carrying your own cushion with you!
3. forseleeves
fabric – gold metallic brocade ( 1m), silk taffeta lining – 1m, calico interlining, decoration – estimated – £60
labour – £80
girdle – brocade fabric, tassels from Gina Barret. material cost – £130, labour – £20
Partlet – linen, with blackwork worked by Embroidery Emporium – £150
cuffs – also blackwork by EE – £150
bonnet – made on the paste I have used before, with a silk velvet veil, and a variety of frontlets – I have made 2 frontlets for this gown, the gold brocade ( and left it unpinned, in the earlier style)l and one in 2 brocades, purple and gold, and pinned the lappets to the side of the bonnet – an early rendition of the gable hood.
material cost – £60,
labour – £100
shoes – by Pilgrim Shoes, slashed, with silk pulling outs – £70
hose/stockings – I had 2 pairs, one by Quartemasterie, one by Sally Pointer – approx £20
Jewellery;
a lovely Piece by Gemmeus £300,
other pearl necklaces and rings – £80
and the end product….

and the royal hubby – Ian from Black Knight Historical
and a funky one – look, am hovering! 🙂
the final costing…
smock – 130; kirtle – £550; gown £1200; sleeves – £160; girdle – £160; cuffs and partlet – £300; shoes – £70; bonnet – £160; bling – £380, hose – £20; brass pins for pinning things – £30
total – £3230… ouch…
Admittedly, I don’t charge myself labour – but obviously if I am working on my own stuff, i am not working on commissions that bring the revenue – so still counts as it creates a dent in my budget – making this outfit took about 10 days. The materials were collected and saved for over the last year – I am not a particularly wealthy person, so there is no way I would be able to afford such a frock all at once… I doubt I would be able to afford it now, if it weren’t a part of my job….
Needless to say, I do not plan another Tudor frock for myself in the next few years….. or a decade maybe…
photography of the finished product – Pitcheresque Imagery and John D.Grant. More photos of the even itself soon!
Astounding. I’m only just starting out and people like you make the road so interesting. One of the most impressive posts I’ve seen. Full stop.
That’s rather lovely. I love seeing work from people who’re willing to invest in the Right Materials to get a look.
I’m a shoe geek, not a frock geek, though, and it seems like an awful shame (to my shoe geek eyes, at least) to add such modern looking shoes with their exposed machine stitching to such a lovely outfit.
I have no association with her, but Sarah Juniper’s shoes (sarahjuniper.co.uk) would be much more in tune with the quality of the clothing. It’s not cheap – a pair would cost a significant fraction of the cost of the outfit – but they’re as close to perfect as you can get.
Francis Classe also does top-end work aands.org/raisedheels/ is his site.
hello there and thanks for your comment – and yep, the shoes were the cheapest item here – mostly because my commissioned hand stitched pair was delayed and couldn’t arrive on time. These were fast, by a lady who lives nearby – a good stand by pair ( comfy too) until the proper bits arrive. I have dealt with Sarah before, and yes, her work is exquisite – however her customer service is not, so if necessary I tend to avoid. I usually go for NP Historical shoes now – fantastic work, but, as expected, a long waiting list… 😦
That’s a shame, I make my own so I’ve never needed to deal with Sarah.
NP Historical’s stuff is really lovely. Waiting lists are the curse of successful artisans.
Francis’ site had a broken link to his latest pair, but it’s fixed now. His latest pair are very slightly too late for this outfit, but class-appropriate.
http://www.modehistorique.com/raisedheels/?p=963
I’m not certain how this came into my news feed on Facebook but I am glad it did! Your work is lovely, and I appreciate the process shown. You seem to make a beautiful and more accurate portrayal of the queen, as many people presume she was “Spanish looking”, i.e., dark haired with brown eyes. We Basques know she was fair like yourself! I wish you gran success and no more fired.
I did the Renaissance Pleasure Faire in Agoura, and in Novato, California for eighteen years, and my best costumes were made by Lois DeArmond, who went on to win an Emmy Award (Academy of Television Arts and Sciences) for her work on a Disney show.
I think you are equally talented.
Cheers!
Lucia D’Angelo
thank you so much! indeed I am naturally fair haired ( though have been dark haired for the last 15 years or so), but the headdress hides the hair so my complexion and eyes can still look the part:-) really glad you liked the kit – it was a pleasure to make – and a pleasure to wear too, despite the heat….
Wow! This is so amazing! 😀
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